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	<title>Comments on: Polymorphous Imagery</title>
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	<link>http://guttersniper.com/2009/11/08/polymorphous-imagery/</link>
	<description>ENGL 74: The Graphic Novel</description>
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		<title>By: koreanish</title>
		<link>http://guttersniper.com/2009/11/08/polymorphous-imagery/#comment-322</link>
		<dc:creator><![CDATA[koreanish]]></dc:creator>
		<pubDate>Tue, 17 Nov 2009 17:45:56 +0000</pubDate>
		<guid isPermaLink="false">http://guttersniper.com/?p=921#comment-322</guid>
		<description><![CDATA[What we&#039;re witnessing there is the moment when she gives up what she loves in one way--Rob, her family, the life she&#039;s known--and connects to what she loves in another--existance, in spite of her disfiguring disease, the murder of Rob/disappearance of him (she seems to apprehend Dave might be the reason Rob never returned). It&#039;s this willingness that makes her over, and that moment becomes a coming of age. 

Whether she lives or not. 

I don&#039;t know that the line there evokes a suicide. I think it evokes for me at least a willingness to return to land. A suicide would, I think, be &quot;I&#039;m just going to stay here.&quot;

You&#039;re on to something about the rest at the beginning. The roiling surface of the comic, the way it seems to change surfaces until everything seems to be a referent for if not everything, many things--that was interesting. I liked the way we seem to drop through trap doors of metaphor from one to the next to the next, like some game of chutes and ladders. It created a layered, dramatically intense story out of what could have been something very simple. For all we know, it&#039;s all a dream Chris is having in that tent.]]></description>
		<content:encoded><![CDATA[<p>What we&#8217;re witnessing there is the moment when she gives up what she loves in one way&#8211;Rob, her family, the life she&#8217;s known&#8211;and connects to what she loves in another&#8211;existance, in spite of her disfiguring disease, the murder of Rob/disappearance of him (she seems to apprehend Dave might be the reason Rob never returned). It&#8217;s this willingness that makes her over, and that moment becomes a coming of age. </p>
<p>Whether she lives or not. </p>
<p>I don&#8217;t know that the line there evokes a suicide. I think it evokes for me at least a willingness to return to land. A suicide would, I think, be &#8220;I&#8217;m just going to stay here.&#8221;</p>
<p>You&#8217;re on to something about the rest at the beginning. The roiling surface of the comic, the way it seems to change surfaces until everything seems to be a referent for if not everything, many things&#8211;that was interesting. I liked the way we seem to drop through trap doors of metaphor from one to the next to the next, like some game of chutes and ladders. It created a layered, dramatically intense story out of what could have been something very simple. For all we know, it&#8217;s all a dream Chris is having in that tent.</p>
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